Our Work
Washerwoman
Choreography by Etienne Decroux, re-visited by Selma Trevino with a Brazilian twist.
First work of the Re-visiting Decroux project. Directed by Selma Trevino, the Washerwoman choreography opened the project with a presentation at the Dixon Place on November 16, 2021, part of the Crossing Boundaries series.
This first outcome was possible by the INCUBATOR Grant program by LEIMAY at CAVE.
2021
Through the Oak Door
Directed by William Trevino
Performed by Akiko Nishijima, Selma Trevino and William Trevino
Voice and Text by Lori Fitzgerald
Recipient of the Queens Council of the Arts "New Works" Grant 2019, Through the Oak Door was a conclusion of 3 years of work and research between Corporeal Mime, the Martial Art Soo Bahk Do, Contemporary Dance and Literature.
2016 - 2019
Spring 2020
Choreographed and Performed by Selma Trevino
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Spring 2020 is a movement research piece, conceived at home during the first round of the pandemic in New York. It was directed for video and presented by the Dixon Place TV in May 2020
http://dixonplace.org/performances/crossing-virtual-boundaries-2020-05-26/
2020
Ligea
Directed and Performed by William Trevino
Text by Edgar Allan Poe
Recipient of the Spring Artist Lodge Residence at HERE .
2011
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2020
Gestez Chez Vous
Choreographed and performed by Selma Trevino
Choreographed and performed 2 works as part of the “Gestez Chez Vous” project organized by the French physical theatre company, Hippocamp for online showing.
2000 - 2003
MIRRORS
Directed and Performed by Selma Trevino
Mirrors is a solo performance created from a montage of sculptures, texts from the Bible and poetry from the Golden Age of Spain.
2015 - 2022
VITRINES
Directed by Selma Trevino
Performed by Alessandra San Martin
Devised collaboratively by Corporeal Arts Incorporated & the Brazilian company “Por Volta de Logo Depois”; Inspired by the archetype of the prostitute in Brazilian literature, music, and online postings; First presented in NYC at Crossing Boundaries Series, Dixon Place, NYC and 69th Lane Studio, Queens (2015), and subsequently in various theatres and festivals throughout Brazil.